No Time to Spare: thinking about what matters by
Ursula K. Le Guin on the absurdity of denying your age: "If I'm ninety and believe I'm forty-five, I'm headed for a very bad time trying to get out of the bathtub." On cultural perceptions of fantasy: "The direction of escape is toward freedom. So what is 'escapism' an accusation of?" On breakfast: "Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime." Ursula K. Le Guin took readers to imaginary worlds for decades. In her last great frontier of life, old age, she explored a new literary territory: the blog, a forum where she shined. The collected best of Ursula's blog, No Time to Spare presents perfectly crystallized dispatches on what mattered to her late in life, her concerns with the world, and her wonder at it: "How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us."
Steering the Craft by
From the celebrated Ursula K. Le Guin, "a writer of enormous intelligence and wit, a master storyteller" (Boston Globe), the revised and updated edition of her classic guide to the essentials of a writer's craft. Completely revised and rewritten to address modern challenges and opportunities, this handbook is a short, deceptively simple guide to the craft of writing. Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin's own witty commentary and an exercise that the writer can do solo or in a group. She also offers a comprehensive guide to working in writing groups, both actual and online. Masterly and concise, Steering the Craft deserves a place on every writer's shelf.
Gabriel García Márquez: A Life by
In this exhaustive and enlightening biography--nearly two decades in the making--Gerald Martin dexterously traces the life and times of one of the twentieth century's greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez's closest friends, family members, fellow authors, and detractors--as well as the many hours Martin spent with 'Gabo' himself--the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez's powerful journalism, as enthralling as any of his acclaimed and beloved fiction.
Toni Morrison: Writing the moral imagination by
This compelling study explores the inextricable links between the Nobel laureate's aesthetic practice and her political vision, through an analysis of the key texts as well as her lesser-studied works, books for children, and most recent novels. Offers provocative new insights and a refreshingly original contribution to the scholarship of one of the most important contemporary American writers Analyzes the celebrated fiction of Morrison in relation to her critical writing about the process of reading and writing literature, the relationship between readers and writers, and the cultural contributions of African-American literature Features extended analyses of Morrison's lesser-known works, most recent novels, and books for children as well as the key texts
The Dilemma of "Double-Consciousness" by
In "The Dilemma of 'Double Consciousness'" Denise Heinze contributes to the dialogue on Toni Morrison by analysing the extent to which her novels have been influenced by history and the interactions of race, class and gender. Although Morrison's career represents an American success story, her writings attack values long revered in American society: the cult of domesticity and true womanhood, romantic love and ideal standards of beauty, capitalism and the Protestant work ethic, and the primacy of Western culture and modern technology. Morrison is a myth-basher, argues Heinz, but she is also a myth-maker whose ontology finds its meaning in nature, primitivism, the past and the supernatural. Central to understanding Morrison's challenge to traditional values, Heinze believes, is W.E.B. Du Bois' notion of "double-consciousness" - the condition in which a person is representative of, and immersed in, two distinct ways of life. Heinze also draws on Henry Louis Gates Jr's notion of the symbiotic relationship that Morrison, as an African-American writer, shares with white writers. Morrison's position as part of the literary establishment and as part of minority culture in America grants her two perspectives, both of which inform her work. She successfully incorporates these perspectives, Heinze contends, by appropriating conventional literary forms to render artistically the story of black experience inside white culture. Morrison employs rational and controlled methods to naturalise seemingly irrational responses to life, and her "outsider within" status lends her a credibility that crosses racial, cultural and class lines. In chapters that address Morrison's aesthetic, her treatment of families, her social dialectic and her use of supernatural elements, Heinze provides readings of all six novels. Morrison's stories of black families and black culture, Heinze says, appeal to a wide and growing audience by inviting her readers to share in her double-consciousness, to join her in a symbolic journey whose final destination is truth and understanding.
Wallace Stevens: Th Making of a Poem by
Originally published in 1980. Wallace Stevens: The Making of the Poem emphasizes the ideas that Wallace Stevens embeds in his poetry, providing the first study to provide an intellectual biography of Stevens. It examines Stevens' naturalism, his ideas of the self, and the imagination, among other topics. The concepts that emerge from long reading of the poetry of Stevens are slight and basic, but these concepts do accord, even if they never emerge into a coherent philosophy. The accordance is probably a result of Stevens' preference for naturalistic thought.
Poetry, Word-Play, and Word-War in Wallace Stevens by
In the first full-length study of Wallace Stevens's word-play, Eleanor Cook focuses on Stevens's skillful play with grammar, etymology, allusion, and other elements of poetry, and suggests ways in which this play offers a method of approaching his work. At the same time, this book is a general study of Stevens's poetry, moving from his earliest to his latest work, and includes close readings of three of his remarkable long poems--Esthetique du Mal, Notes toward a Supreme Fiction, and An Ordinary Evening in New Haven. The chronological arrangement enables readers to follow Stevens's increasing skill and changing thought in three areas of his "poetry of the earth": the poetry of place, the poetry of eros, and the poetry of belief. Poetry, Word-Play, and Word-War in Wallace Stevens shows how, in setting words at play and in conflict, Stevens could upset the usual relations of rhetoric, grammar, and dialectic, and thus the book contributes to the current debate about logical and a-logical uses of language. Cook also places Stevens within the larger context of Western literature, hearing how he speaks to Milton, Keats, and Wordsworth; to such American forebears as Whitman, Emerson, and Dickinson; and to T. S. Eliot, his contemporary. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How to Live, What to Do: Thirteen Ways of Looking at Wallace Stevens by
How to Live, What to Do is an indispensable introduction to and guide through the work of a poet equal in power and sensibility to Shakespeare and Milton. Like them, Stevens shaped a new language, fashioning an instrument adequate to describing a completely changed environment of fact, extending perception through his poems to align what Emerson called our "axis of vision" with the universe as it came to be understood during his lifetime, 1879-1955, a span shared with Albert Einstein. Projecting his own imagination into spacetime as "a priest of the invisible," persistently cultivating his cosmic consciousness through reading, keeping abreast of the latest discoveries of Einstein, Max Planck, Niels Bohr, Louis de Broglie, and others, Stevens pushed the boundaries of language into the exotic territories of relativity and quantum mechanics while at the same time honoring the continuing human need for belief in some larger order. His work records how to live, what to do in this strange new world of experience, seeing what was always seen but never seen before. Joan Richardson, author of the standard two-volume critical biography of Stevens and coeditor with Frank Kermode of the Library of America edition of the Collected Poetry and Prose, offers concise, lucid captures of Stevens's development and achievement. Over the ten years of researching her Stevens biography, Richardson read all that he read, as well as his complete correspondence, journals, and notebooks. She weaves the details drawn from this deep involvement into the background of American cultural history of the period. This fabric is further enlivened by her preparation in philosophy and the sciences, creating in these thirteen panels a contemporary version of a medieval tapestry sequence, with Stevens in the place of the unicorn, as it were, holding our attention and eliciting, as necessary angel, individual solutions to the riddles of our existence on this planet spinning and hissing around its cooling star at 18.5 miles per second.
