Circulating books may be checked out in 3 week intervals.
Books of the Century by
Presents book reviews and essays on literature originally published in The New York times book review.
A Guide to Literary Criticism and Research by
Like the first two editions of A Guide to Literary Criticism and Research, this edition is based both on a recognition of a practical need felt in many literature courses and a view of literary study. It attempts to meet the practical need by offering upper-level students a condensed but adequate guide to the range of modern criticism and to basic methods of research. In addition, it is a hope that the book will give students a more comprehensive view of literary study by helping them to recognize criticism and research as two closely linked parts of a single process.
Literary Criticism by
Henry James, renowned as one of the world's great novelists, was also one of the most illuminating, audacious, and masterly critics of modern times. This Library of America volume and its companion are a fitting testimony to his unprecedented achievement. They offer the only comprehensive collection of his critical writings ever assembled, more than one-third of which have never appeared in book form. This first volume focuses especially on his responses to American and English writers; the second volume contains his essays on European literature and the Prefaces to the New York Edition of his fiction. From 1864 until virtually the end of his life, James displayed an astonishing range and catholicity of critical interests, touching on nearly every facet of literature in America, England, and Europe. Here are his most important theoretical essays, including his witty and daring declarations of the novelist's freedom in "The Art of Fiction," "The Future of the Novel," and "The Science of Criticism"--a gently ironic title from a writer who regarded criticism as a form of art. Appreciations of Ralph Waldo Emerson ("I knew he was great, greater than any of our friends"), pungent comments (which he later regretted) on Walt Whitman's "Drum-Taps," and assessments of Louisa May Alcott, Edgar Allan Poe, his friend and admirer William Dean Howells, Harriet Beecher Stowe, Francis Parkman, and scores of other American writers are joined, in revealing proximity, to commentaries on nearly every important English writer of fiction (and some poets, such as the Brownings) during the late nineteenth and early twentieth centuries. These reviews of English writers include James's stunning essay on Charles Dicken's Our Mutual Friend, his provocative discussions of George Eliot, and his tough but appreciative estimates of Anthony Trollope, Matthew Arnold, Benjamin Disraeli, Elizabeth Gaskell, Rudyard Kipling, Thomas Hardy, William Morris, Rupert Brooke, Ouida, Algernon Charles Swinburne, and Robert Louis Stevenson. Also included here is his great essay on Shakespeare's he Tempest. All of these pieces are gathered under the author considered, so that James's supple changes in attitude can be followed across the years. Of particular interest, both critically and biographically, are James's commentaries on Nathaniel Hawthorne, including his still-controversial book-length study of 1879. His estimates of his predecessor's work remain highly debatable, but are perhaps more interesting as evidence of his own feelings about being an American writer of a later and, as he assumed, more complex time. Finally, this volume includes two invaluable collections: his "American Letters" and "London Notes," wherein, with unsurpassed tact and grandeur of mind, he introduces readers of his native and of his adopted country to each other.
Words Are My Matter: Writings About Life and Books, 2000-2016, With a Journal of a Writer's Week by
"Hard times are coming, when we'll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We'll need writers who can remember freedom -- poets, visionaries -- realists of a larger reality. . . ." Words Are My Matter collects talks, essays, introductions to beloved books, and book reviews by Ursula K. Le Guin, one of our foremost public literary intellectuals. Words Are My Matter is essential reading. It is a manual for investigating the depth and breadth of contemporary fiction -- and, through the lens of deep considerations of contemporary writing, a way of exploring the world we are all living in. "We need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship." * Le Guin is one of those authors and this is another of her moments. She has published more than sixty books ranging from fiction to nonfiction, children's books to poetry, and has received many lifetime achievement awards including the Library of Congress Living Legends award. This year her publications include three survey collections: The Found and the Lost: The Collected Novellas; The Unreal and the Real: The Selected Short Stories; and The Complete Orsinia: Malafrena, Stories and Songs (Library of America). * From "Freedom" A speech in acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters.
Words Still Count with Me: A Chronicle of Literary Conversations by
"Words Still Count with Me features interviews with dozens of twentieth-century authors who represent the best in their fields of fact and fiction and whose work is destined to survive. Among them are E. B. White in Maine and Saul Bellow in Chicago, Samuel Beckett in Paris, Dame Rebecca West and Sir Stephen Spender in London, Vladimir Nabokov in Montreux, Leonardo Sciascia in Sicily and Ignazio Silone in Rome, Amos Oz in Jerusalem, Haruki Murakami in Tokyo, Isaac Bashevis Singer and Ralph Ellison in Manhattan. Some are Nobel laureates in literature, some are the author's longtime journalistic colleagues, including Theodore H. White and John Hersey.
Writing with Intent: Essays, Reviews, Personal Prose, 1983-2005 by
From one of the world's most passionately engaged literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces written for great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.
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Key Concepts in Literary Theory by
Key Concepts in Literary Theory presents the student of literary and critical studies with a broad range of accessible, precise and authoritative definitions of the most significant terms and concepts currently used in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial literary studies. The volume also provides clear and useful discussions of the main areas of literary, critical and cultural theory, supported by bibliographies and an expanded chronology of major thinkers. Accompanying the chronology are short biographies of major works by each critic or theorist. This 3rd edition is both revised and expanded and includes:* 100+ additional terms and concepts, clearly defined* the addition in particular of keywords from the social sciences, cultural studies and psychoanalysis and a broader selection of classical rhetorical terms* an expanded chronology, with additional entries and a broader historical and cultural range* expanded bibliographies including key texts by major critics. This is a must-read for any student wishing to improve his or her critical writing.
Literary Criticism by
As the study of literature has extended to cultural contexts, critics have developed a language all their own. Yet, argues Mark Bauerlein, scholars of literature today are so unskilled in pertinent sociohistorical methods that they compensate by adopting cliches and catchphrases that serve as substitutes for information and logic. Thus by labeling a set of ideas an "ideology" they avoid specifying those ideas, or by saying that someone "essentializes" a concept they convey the air of decisive refutation. As long as a paper is generously sprinkled with the right words, clarification is deemed superfluous. Bauerlein contends that such usages only serve to signal political commitments, prove membership in subgroups, or appeal to editors and tenure committees, and that current textual practices are inadequate to the study of culture and politics they presume to undertake. His book discusses 23 commonly encountered terms--from "deconstruction" and "gender" to "problematize" and "rethink"--and offers a diagnosis of contemporary criticism through their analysis. He examines the motives behind their usage and the circumstances under which they arose and tells why they continue to flourish. A self-styled "handbook of counter disciplinary usage," Literary Criticism: An Autopsy shows how the use of illogical, unsound, or inconsistent terms has brought about a breakdown in disciplinary focus. It is an insightful and entertaining work that challenges scholars to reconsider their choice of words--and to eliminate many from critical inquiry altogether.
Literary Criticism: A New History by
How many people know that Aristotle thought the best tragedies were those which ended happily? Or that the first mention of the motor car in literature may have been in 1791 in Boswell's Life of Johnson? Or that it was not unknown in the nineteenth century for book reviews to be 30,000 words long! These are just a few of the fascinating facts to be found in this absorbing history of literary criticism. From the Ancient Greek period to the present day you learn about critics' lives, the times in which they lived and how the same problems of interpretation and valuation persist through the ages. In this lively and engaging book, Gary Day questions whether the 'theory wars' of recent years have lost sight of literature itself, and makes surprising connections between criticism and a range of subjects, including the rise of money. General readers will appreciate this informative, intriguing and often provocative account of the history of literary criticism; students will value the clear way in which it puts criticism into context; and academics will enjoy getting to grips with this challenge to the prevailing view about the nature of current theory. Key Features:*The author is a well-known writer and critic, and has been a regular contributor to the Times Higher*Integrates a wide range of writers, critics and texts into a continuous history*Passionately defends the idea of the 'literary'
Reading the 21st Century: Books of the Decade, 2000-2009 by
In wide-ranging and innovative criticism, Stan Persky examines international non-fiction and fiction to engage with both the triumphs and tensions of reading and writing today. Evaluating works by established authors Philip Roth, Orhan Pamuk, J.M. Coetzee, and José Saramago, as well as emerging writers like Naomi Klein, Javier Cercas, and Chimamanda Adichie, Persky also showcases a remarkable group of reporters - Steve Coll, Dexter Filkins, and Rajiv Chandrasekaran - who have written essential books about global issues. An illuminating and accessible work about the present age, Reading the 21st Century introduces new ways of thinking about the world’s most significant cultural, political, and moral problems.
Succeeding with Your Literature Review: A Handbook for Students by
This step-by-step handbook provides comprehensive and practical guidance on the process of researching a range of relevant literature on a subject, as well as planning and writing a literature review. The book takes a student friendly approach to offer complete novices a simple review of a process which is often central to producing a research study.
Books from the reference section are available for in library use, or are available for online viewing.
The English Handbook: A Guide to Literary Studies by
The English Handbook: A Guide to Literary Studies is a comprehensive textbook, providing essential practical and analytical reading and writing skills for literature students at all levels. With advice and information on fundamental methods of literary analysis and research, Whitla equips students with the knowledge and tools essential for advanced literary study. Includes traditional close reading strategies integrated with newer critical theory, ranging from gender and genre to post-structuralism and post-colonialism; with examples from Beowulf to Atwood, folk ballads to Fugard, and Christopher Marlowe to Conrad?s Marlow Draws on a wide range of resources, from print to contemporary electronic media Supplies a companion website with chapter summaries, charts, examples, web links, and suggestions for further study
The Literary Research Guide by
James L. Harner's Literary Research Guide, which Choice calls "the standard guide in the field," evaluates important reference materials in English studies. Since the publication of the first edition in 1989, tens of thousands of students and educators have used the Guide as an aid to scholarly research. In the new edition Harner has added entries describing resources published since May 2001 and has revised nearly half the entries from the fourth edition. The fifth edition contains more than 1,000 entries, which discuss an additional 1,555 books, articles, and electronic resources and cite 723 reviews. Readers of earlier editions will notice the inclusion of substantially more electronic resources, particularly reliable sites sponsored by academic institutions and learned societies, to account for the proliferation of bibliographic databases, text archives, and other online resources. This edition also features a new section on cultural studies.
Prose: Literary Terms and Concepts by
Narratives come in many forms, fall into many genres, and tell the stories of an endless assortment of characters. Despite recurring themes and conceits in works from around the world, each story from biography to science fiction is singular and designed to elicit a distinct emotional response from its readers. The rhetorical tools and literary styles that have helped reinvent the art and study of storytelling over time are surveyed in this captivating volume."
