American Poetry: The Nineteenth Century by
In nineteenth-century America, poetry was part of everyday life, as familiar as a hymn, a love song, a patriotic exhortation. The two volumes of The Library of America's American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America's poetic legacy with a comprehensive sweep that no previous anthology has attempted. Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier--as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln. This collection offers the unique opportunity to appreciate anew such classics as Whittier's "Snow-Bound," Bryant's "Forest Hymn," and Emerson's "Hamatreya," while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the whimsical meditations of Transcendentalist Christopher Pearse Cranch, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow. The range of the poems' subject matter is equally extraordinary and suggests the wide-ranging interests and passions of a national culture in the making: the War of 1812 and Napoleon's retreat from Moscow, the horrors of slavery and the struggle for Greek independence, historical figures from Dante to Rubens to Daniel Webster and Red Jacket, Byzantine history and New England folklore, the landscapes of Italy and India, Florida, and Niagara Falls. Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: "Home, Sweet Home," "The Old Oaken Bucket," "A Visit from St. Nicholas," "It Came Upon the Midnight Clear," "Battle Hymn of the Republic." From Lydia Maria Child's Thanksgiving poem ("Over the river and through the wood") to George Pope Morris's "The Oak" ("Woodman, spare that tree!"), these pages ring with the phrases that have become part of the national memory. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.
American Poetry: The Seventeenth and Eighteenth Centuries by
This groundbreaking Library of America volume offers a fresh look at early American poetry, charting its evolution over a span of almost two centuries, from the first years of English settlement in the New World to the death of George Washington. Gathering the work of more than 100 poets--including many poems never previously anthologized and some published here for the first time--it is the most comprehensive collection of its kind ever assembled, a celebration of the rich, varied, and often surprising beginnings of American poetry. The range of voices is unprecedented: broadside and newspaper satires, epitaphs, children's verse, popular songs, ballads, and Christian hymns evoke the vital currency of poetry in daily life; exhortatory elegies for public figures and historical epics declaimed on occasions of state stand alongside intricate meditative lyrics and private epistolary verses. The dramatic unfolding of American history is made immediate and vivid in the words of the participants: William Bradford reflects on the growth of New England's first colonies; Roger Wolcott recounts the incidents of the Pequot War; Thomas Paine hails the victories of the American Revolution; Ann Eliza Bleecker describes her flight from General Burgoyne's invading army; loyalist Jonathan Odell bitterly mocks the new Continental Congress. The first comprehensive anthology of early American poetry in more than a generation, this volume incorporates recent scholarly discoveries that have altered our understanding of the early American literary landscape. Alongside generous selections from long admired New England poets such as Anne Bradstreet, Edward Taylor, and Michael Wigglesworth are poets from the Middle Colonies and the South, newly emerged from the archives. Along with familiar favorites by Phillis Wheatley, celebrated pioneer of the African-American tradition in poetry, are little-known verses by Benjamin Banneker, known as "the Sable Astronomer," and African-American Minuteman Lemuel Haynes. The anthology includes hymns recently attributed to Mohegan preacher Samson Occom and the earliest known translation of a traditional Native American chant, Henry Timberlake's Cherokee "War-Song." The unpublished poems of Henry Brooke, Elizabeth Graeme Fergusson, Joseph Green, Hannah Griffitts, Margaret Lowther Page, and Annis Boudinot Stockton, among others, reflect the rediscovered vitality and importance of manuscript exchange as a form of publication in an era when it was sometimes considered indecorous, especially for women, to appear in print. Unprecedented in its textual authority and unrivaled in its scope, the anthology includes newly researched biographical sketches of each poet and extensive notes.
How a Poem Moves: A Field Guide for Readers of Poetry by
A collection of playfully elucidating essays to help reluctant poetry readers become well-versed in verse Developed from Adam Sol's popular blog, How a Poem Moves is a collection of 35 short essays that walks readers through an array of contemporary poems. Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick read or to be grouped together as a curriculum. Though How a Poem Moves is not a textbook, it demonstrates poetry's range and pleasures through encounters with individual poems that span traditions, techniques, and ambitions. This illuminating book is for readers who are afraid they "don't get" poetry but who believe that, with a welcoming guide, they might conquer their fear and cultivate a new appreciation.
The Nature of Native American Poetry by
Elucidates the clear mark that Native American literature, culture, and oral-poetic traditions have left on five centuries of British and American literature.
The Oxford Anthology of African-American Poetry by
For over two centuries, black poets have created verse that captures the sorrows, joys, and triumphs of the African-American experience. Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literary portrait of a people. Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups these poems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence. With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of black culture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to the art of poetry. Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.
Twentieth-Century American Poetry by
Written by a leading authority on William Carlos Williams, this book provides a wide-ranging and stimulating guide to twentieth-century American poetry. A wide-ranging and stimulating critical guide to twentieth-century American poetry. Written by a leading authority on the innovative modernist poet, William Carlos Williams. Explores the material, historical and social contexts in which twentieth-century American poetry was produced. Includes a biographical dictionary of major writers with extended entries on poets ranging from Robert Frost to Adrienne Rich. Contains a section on key texts considering major works, such as 'The Waste Land', 'North & South', 'Howl' and 'Ariel'. The final section draws out key themes, such as American poetry, politics and war, and the process of anthologizing at the end of the century.
Twentieth-Century Latin American Poetry: A Bilingual Anthology by
Latin Americans have written some of the world's finest poetry in the twentieth century, as the Nobel Prizes awarded to Gabriela Mistral, Pablo Neruda, and Octavio Paz attest. Yet this rich literary production has never been gathered into a single volume that attempts to represent the full range and the most important writers-until now. Here, under one cover, are the major poets and their major works, which appear both in the original language (Spanish or Portuguese) and in excellent English translations. The poems selected include the most famous representative poems of each poetic tradition, accompanied by other poems that represent the best of that tradition and of each poet's work within it. Tapscott's selections cover the full range, from the Modernist generation though the Mexican Revolutionary post-Moderns and the Vanguardist poets to very contemporary younger writers of political and experimental commitments. In all, eighty-five poets, including Pablo Neruda, Nicanor Parra, Octavio Paz, Gabriela Mistral, Nicolás Guillén, Jorge Luis Borges, Julio Cortazar, Carlos Drummond de Andrade, Carlos Pellicer, César Vallejo, and Cecília Meireles, and over 400 poems are included, often in translations by some of North America's most esteemed poets.
Unsettling America: An Anthology of Contemporary Multicultural Poetry by
A multicultural array of poets explore what it is means to be American. This powerful and moving collection of poems stretches across the boundaries of skin color, language, ethnicity, and religion to give voice to the lives and experiences of ethnic Americans. With extraordinary honesty, dignity, and insight, these poems address common themes of assimilation, communication, and self-perception. In recording everyday life in our many American cultures, they displace the myths and stereotypes that pervade our culture. Unsettling America includes work by: Amiri Baraka, Chitra Banerjee Divakaruni, Rita Dove, Louise Erdich, Jessica Hagedorn, Joy Harjo, Garrett Hongo, Li-Young Lee, Pat Mora, Naomi Shihab Nye, Marye Percy, Ishmael Reed, Alberto Rios, Ntozake Shange, Gary Soto, Lawrence Ferlinghetti, Nellie Wong, David Hernandez, Mary TallMountain ...and many more.
The Hill We Climb by
The instant #1 New York Times bestseller and #1 USA Today bestseller . Amanda Gorman's electrifying and historic poem "The Hill We Climb," read at President Joe Biden's inauguration, is now available as a collectible gift edition. "Stunning."--CNN "Dynamic."--NPR "Deeply rousing and uplifting."--Vogue. On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem "The Hill We Climb: An Inaugural Poem for the Country" can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.
Living Nations, Living Words by
Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project--including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others--to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, "that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship." In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.
Poetry 101 by
Become a poet and write poetry with ease with help from this clear and simple guide in the popular 101 series. Poetry never goes out of style. An ancient writing form found in civilizations across the world, poetry continues to inform the way we write now, whether we realize it or not--especially in social media--with its focus on brevity and creating the greatest possible impact with the fewest words. Poetry 101 is your companion to the wonderful world of meter and rhyme, and walks you through the basics of poetry. From Shakespeare and Chaucer, to Maya Angelou and Rupi Kaur, you'll explore the different styles and methods of writing, famous poets, and poetry movements and concepts--and even find inspiration for creating poems of your own. Whether you are looking to better understand the poems you read, or you want to tap into your creative side to write your own, Poetry 101 gives you everything you need!
Inside My Pencil: teaching poetry in the Detroit Public Schools by eBooks are accessible online, and many are available for download or 2 week check out.
The Cambridge Introduction to Twentieth-Century American Poetry by
The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focusing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.
The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America by
The cultural phenomenon known as slam poetry was born some twenty years ago in white working-class Chicago barrooms. Since then, the raucous competitions have spread internationally, launching a number of annual tournaments, inspiring a generation of young poets, and spawning a commercial empire in which poetry and hip-hop merge. The Cultural Politics of Slam Poetry is the first critical book to take an in-depth look at slam, shedding light on the relationships that slam poets build with their audiences through race and identity performance, and revealing how poets come to celebrate (and at times exploit) the politics of difference in American culture. With a special focus on African American poets, Susan B. A. Somers-Willett explores the pros and cons of identity representation in the commercial arena of spoken word poetry and, in doing so, situates slam within a history of verse performance, from blackface minstrelsy to Def Poetry. What's revealed is a race-based dynamic of authenticity lying at the heart of American culture. Rather than being mere reflections of culture, Somers-Willett argues, slams are culture sites where identities and political values get publicly re-figured and exchanged between poets and audiences. Susan B. A. Somers-Willett is a decade-long veteran of slam and holds a PhD in American Literature and an MA in creative writing from the University of Texas at Austin. She has taught at Carnegie Mellon University, the University of Illinois, and the University of Texas and is the author of two books of poetry, Quiver and Roam.
The Floating Bridge : Prose Poems by
Even the most enthusiastic partisans of the form will tell you that good prose poems are nearly as rare as good sonnets, the manatee, or Republicans with a social conscience, and thus the canny and compelling prose poems of David Shumate's The Floating Bridge are especially welcome.
From Outlaw to Classic: Canons in American Poetry by
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: * present a history of American poetry anthologies * compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) * discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren * examine the canonizing effects of an experimental "little magazine," Origin * trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
The Sound of Poetry - The Poetry of Sound by
Sound, one of the central elements of poetry, finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound connections that go far beyond traditional metrical studies. Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme, the role of sound repetition in novelistic prose, the connections between sound poetry and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essay stake on the ensemble discords of Maurice Scève Délie, Ezra Pounds use of Chinese whispers, the alchemical theology of Hugo Ball's Dada performances, Jean Cocteau's modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing. A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called articulations of sound forms in time as they have transformed the expanded poetic field of the twenty-first century.
What I Say: Innovative Poetry by Black Writers in America by
What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain't Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fascinating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted noncanonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry. Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and participated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today. Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will appeal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in non-narrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.
Producing Women's Poetry, 1600-1730 by
Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favored by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history.
Books from the reference section are available for in library use, or are available for online viewing.
Encyclopedia of American Poetry by
With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Century provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.
The Oxford Companion to Twentieth-Century Poetry in English by
This Companion is both an alphabetically arranged reference work and, in its sum, a history, a map of modern poetry in English. From the last decade of the century, it offers a survey of the terrain, from 1900 to the present, and from Britain and America to New Zealand, Pakistan, Singapore, Trinidad, Zimbabwe - anywhere, if fact, where poets write in English. It charts the shift from `poetry' to `poetries' - from primarily British and American traditions to a rich diversity of younger poetic identities elsewhere. The only comprehensive work of its kind, it covers not just individuals- some 1,500 of them - but also magazines, movements, concepts, and critical terms. Edited and introduced by Ian Hamilton, himself a notable poet, The Companion to Twentieth-Century Poetry in English has the distinction of including among its contributors many other celebrated poet-critics, often in intriguing author/subject combinations. Encounter, for example, Seamus Heaney writing on Robert Lowell, Dan Jacobson on Thomas Hardy, Jon Stallworthy on Rupert Brooke, Carol Rumens on Edith Sitwell, Andrew Motion on Edward Thomas, and Anne Stevenson on Sylvia Plath. These and other writers offer lively and opinionated critical assessments as well as biographical and bibliographical information. And, as one soon discovers, twentieth-century poets have lived far from humdrum lives. Twenty-seven here had nervous breakdowns, nineteen served time in jail, fourteen died in battle, three were murdered, one executed. One played hockey for his country. There were fifteen suicides, and one poet who staged his own death only to reappear, still writing poetry, under a new name.
Poetry Handbook: A Dictionary of Terms by
The classic reference work--an invaluable sourcebook for poets and readers
The Princeton Encyclopedia of Poetry and Poetics, 4th Edition by
The Princeton Encyclopedia of Poetry and Poetics is a comprehensive reference work dealing with all aspects of its subject: history, types, movements, prosody, and critical terminology. Prepared by recognized authorities, its articles treat their topics in sufficient depth and with enough lucidity to satisfy the scholar and the general reader alike.
The Cambridge Introduction to Russian Poetry by
The Cambridge Introduction to Russian Poetry presents the major themes, forms, genres and styles of Russian poetry. Using examples from Russia's greatest poets, Michael Wachtel draws on three centuries of verse, from the beginnings of secular literature in the eighteenth century up to the present day. The first half of the book is devoted to concepts such as versification, poetic language and tradition; the second half is organized along genre lines and examines the ode, the elegy, ballads, love poetry, nature poetry and patriotic verse. All poetry appears in the original followed by literal translations. This book is designed to give readers with even a minimal knowledge of the Russian language an appreciation of the brilliance of Russian poetry.
Ice Floe II: International Poetry of the Far North by
The long-awaited second volume of the newly revived Ice Floe series, Ice Floe II features new and exciting works of poetry from a vibrant and diverse group of writers from Alaska, Canada, Russia, Sweden, Iceland, and beyond. All work is presented here in both its original language and in English translation. With contributors that include former Alaska poet laureate Tom Sexton, Riina Katajavuori, Yuri Vaella, Gunnar Randversson, and dozens of other established and emerging poets, this wonderful collection of voices from the northern latitudes will be a great read for all lovers of poetry and international literature.
The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry by
In May 2011, a conference on riddles and word games in Greek and Latin poetry took place at the Institute of Classical Studies of the University of Warsaw. The conference was intended as an open forum where specialists working in different fields of classical studies could meet to discuss the varied manifestations of riddles and other technopaegnia - both terms being understood broadly to encompass the full range of play with language in classical antiquity, in keeping with the use made of the two terms in ancient and early modern theoretical discussions. This volume offers revised versions of the papers presented during the conference. Contributions by scholars from Europe and the USA treat a number of interconnected topics, including: ancient and modern attempts to formulate a definition of the riddle; poetic games at Greek symposia; experimentation with language in late classical poetry; riddles in the book cultures of the Hellenistic age and late antiquity; the functions of word games carved in stone, written on papyrus, or inscribed on the wall as graffiti; authors famed for their obscurity, such as Heraclitus and Lycophron; wordplay in Neo-Latin poetry; oracles, magic squares, pattern poetry, palindromes and acrostics.
Spanish Poetry of the Twentieth Century by
"The first English-language history published in the United States to examine the sweep of modern Spanish verse. Debicki, more importantly, is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the post-modernists. See other books in the series Studies in Romance Languages.
Voices by
An international collection of poetry illustrates the places and scenes of each poet's home with selected paintings, folk art, historical artifacts, and evocative photographs.
The Yale Anthology of Twentieth-Century French Poetry by
Not since the publication of Paul Auster's The Random House Book of 20th Century French Poetry (1984) has there been a significant and widely read anthology of modern French poetry in the English-speaking world. Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry.
Books from the reference section are available for in library use, or are available for online viewing.
Poetry and Drama: Literary Terms and Concepts by
Verse and drama have provided outlets for emotive expression and the creative impulse for centuries. Poignant, inspiring, and thought-provoking, plays and poems spoken or written in any language help reinterpret reality and evoke some of humanity's most profound truths. The terms culled in this volume describe many of the most potent elements of language-those that venture beyond the realm of prose and invoke the power of cadence, lyricism, and drama to recount all aspects of the human condition."
Poetry Criticism: Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature by
POETRY CRITICISM assembles critical responses to the writings of the world's most renowned poets and provides supplementary biographical context and bibliographic material to guide the reader to a greater understanding of the genre and its creators. Each entry includes a set of previously published reviews, essays and other critical responses from sources that include scholarly books and journals, literary magazines, interviews, letters and diaries, carefully selected to create a representative history and cross-section of critical responses. Although poets and poetry are also covered in other titles from the Gale Literature Criticism series, POETRY CRITICISM offers a greater focus on understanding poetry than is possible in the broader, survey-oriented entries in those series. Clear, accessible introductory essays followed by carefully selected critical responses allow end-users to engage with a variety of scholarly views and conversations about poets and their works. Student's writing papers or class presentations, instructors preparing their syllabi, or anyone seeking a deeper understanding of the genre will find this a highly useful resource.
The Princeton Handbook of World Poetries by
The Princeton Handbook of World Poetries provides a comprehensive and authoritative survey of the history and practice of poetry in major regional, national, and diasporic literatures and language traditions around the globe.
Who's Who in Twentieth Century World Poetry by
The definitive biographical guide to poetry throughout the world in the twentieth century and the only book of its kind to look at non-English language poets in such detail. Written in lively prose, with over 900 entries by over 75 international contributors, it brings a uniquely global perspective to bear on modern verse, encapsulating the lives and works of a vast array of poets in precise, compact detail alongside expert critical comment. Who's Who in Twentieth Century World Poetry is a scholarly and hugely enjoyable guide through the diverse arena of modern international poetry.
Circulating books may be checked out in 3 week intervals.
A Book of Luminous Things: An International Anthology of Poetry by
Nobel laureate Czeslaw Milosz selects and introduces 300 of his favorite poems in this magnificent collection that ranges widely across time and continents, from eighth century China to contemporary Americanca. (San Francisco Chronicle).
British Poetry and Prose, 1870-1905 by
A unique addition to the popular Oxford Authors series, this anthology of works written between 1870 and 1905 bridges the Victorian and Modernist periods. It focuses on imaginative literature--poetry and short fiction--which together provide an image of an uneasy and pluralistic world, one that exerted peculiar pressures on the writer. French culture--reflected in the Naturalism of Zola and the Symbolism of Baudelaire and Mallarme--evolutionary theory, and urban alienation greatly influenced the work of the fin de siecle, and the selections included here also reveal the ideas and impulses that lay behind imperialism, socialism, and the early advance of the feminist movement. Rural culture is in decline, Romanticism has faded, and dogmatic religion is being replaced by attempts at elaborating a personal order. In addition to reflecting the social and historical context, Fletcher has also included examples of the literary innovations of the age, such as stream-of-consciousness narrative, experimentation in free verse, and the impressionistic short story. The writers represented include Samuel Butler, Swinburne, Walter Pater, Robert Bridges, Gerard Manley Hopkins, Robert Louis Stevenson, Oscar Wilde, George Gissing, A.E. Housman, Rudyard Kipling, W.B. Yeats, Aubrey Beardsley, Max Beerbohm, and many others.
Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond by
A landmark anthology, providing the most ambitious, far-reaching collection of contemporary Asian and Middle Eastern poetry available. Language for a New Century celebrates the artistic and cultural forces flourishing today in the East, bringing together an unprecedented selection of works by South Asian, East Asian, Middle Eastern, and Central Asian poets as well as poets living in the Diaspora. Some poets, such as Bei Dao and Mahmoud Darwish, are acclaimed worldwide, but many more will be new to the reader. The collection includes 400 unique voices' political and apolitical, monastic and erotic that represent a wider artistic movement that challenges thousand-year-old traditions, broadening our notion of contemporary literature. Each section of the anthology organized by theme rather than by national affiliation is preceded by a personal essay from the editors that introduces the poetry and exhorts readers to examine their own identities in light of these powerful poems. In an age of violence and terrorism, often predicated by cultural ignorance, this anthology is a bold declaration of shared humanity and devotion to the transformative power of art.
A Little Treasury of World Poetry; Translations From the Great Poets of Other Languages, 2600 B.C. to 1950 A.D. by 
New European Poets by
A major anthology spanning the diversity of the latest poetry to come out of Europe New European Poets presents the works of poets from across Europe. In compiling this landmark anthology, Wayne Miller and Kevin Prufer enlisted twenty-four regional editors to select 270 poets whose writing was first published after 1970. These poets represent every country in Europe, and many of them are published here for the first time in English and in the United States. The resulting anthology collects some of the very best work of a new generation of poets who have come of age since Paul Celan, Anna Akhmatova, Federico García Lorca, Eugenio Montale, and Czeslaw Milosz. The poetry in New European Poets is fiercely intelligent, often irreverent, and engaged with history and politics. The range of styles is exhilarating--from the lyric intimacy of Portuguese poet Rosa Alice Branco to the profane prose poems of Romanian poet Radu Andriescu, from the surrealist bravado of Czech poet Sylva Fischerová to the survivor's cry of Russian poet Irina Ratushinskaya. Poetry translated from more than thirty languages is represented, including French, German, Spanish, and Italian, and more regional languages such as Basque, Irish Gaelic, and Sámi. In its scope and ambition, New European Poets is destined to be a seminal anthology, an important vehicle for American readers to discover the extraordinary poetry being written across the Atlantic.
The Penguin Book of Hebrew Verse by
A bilingual anthology that covers Hebrew poetry from biblical times to the present.
Studying Poetry by
"The entire tradition of poetry in English is here, from the Renaissance and Shakespeare to such modern writers as Judith Wright and Tony Harrison. Poems are set in their historical, biographical and cultural contexts. Their detailed analyses reveal what C. H. Sisson, the English poet and critic, has described as Dr. Spurr's 'discriminating literacy'." "Focusing on the difficulties of reading poetry and writing about it, in the opening chapters, Spurr presents a systematic approach to the study of poetry, stressing - refreshingly - the importance of hearing and enjoying the sounds of poetic language. He provides models for the discussion of theme and style, and for the evaluation of texts, free from the jargon of contemporary theory." "The book includes numerous topics for essays and assignments, ten special studies of individual poets, a glossary of literary terms, and an historical table."--BOOK JACKET Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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